Showing posts with label landscape. Show all posts
Showing posts with label landscape. Show all posts

Thursday, 30 January 2025

Acrylic painting of Winton plains from escarpment viewpoint, North Queensland.


To travel out in North West Queensland is to be amazed at a panorama of desert, dust and incredible views from clifftop places.  When I went out to see the dinosaur footprints, we stopped at a lookout. 

This was the inspiration for my painting, which features a stockman, his horse and faithful dog, standing on the cliff, with a spectacular view to the horizon. Truly, Australia is the land of wide open spaces.  The artwork was completed on board, with a thin wash technique to portray the arid outback landscape.  


 In this outback painting, I used a limited palette of browns and muted greens plus black to convey the harsh desert terrain. The scene is derived from the countryside near Winton, North Queensland.  A lonely station hand rests in the shade on a hill overlooking a tree dotted plain.  His horse and dog sit nearby.  The painting is my attempt to capture the vast panoramic expanses that comprise inland Australia. They have a unique beauty of their own. 

Monday, 15 April 2013

Far North West Queensland outback painting by Alan J. Benge

If you've ever travelled in the outback of Queensland, you will have noticed that once you get past Longreach, there are large stretches of countryside that could well be described as "driving across the surface of the moon."
However this arid, dry country has a distinctive individuality that makes it unique.  Admittedly, it is as flat in places as a billard table. But if you can gain a viewpoint from a hill or rocky outcrop, you will be rewarded with amazing views.
It is one such view that gave me the inspiration to create this outback landscape in acrylic. I found a suitable hill on my way out to an ancient dinosaur quarry near Winton.
 I wanted to convey the sense of a huge, dusty plain, with a relentless sun on the horizon.  To give the foreground more impact, I used silhouette shapes of a stockman, his dog and horse, in solid contrast to provide interest in this part of the composition.  A limited colour palette was used, mainly warm browns, beige, with patches of red.  The background hills are a hazy blur of ranges receding into the distance.